The University of Calgary Gauntlet®
  2008-11-20
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Students take their show on the road
U of C research team unlocks secret to premature aging
Albertan students can't escape the violence
Another refugee student to get U of C funding
Roadside memorials affect driver behaviour
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Online Only: Event calls for sex education update

Opinions
This university ain't for teachin'
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Vegas, prostitutes and the meaning of university
Don't smoke and drive . . . anymore
This hour has 22 stereotypes
Blasphemy: a victimless crime
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SU View: Post-Election Philosophizing
Online Only: A frightening failure in Chile
Online Only: Reproductive rights: bound and gagged no longer
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Sports
Dinos levelled at Laval
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Entertainment
Poking fun at the boy-meets-girl paradigm
Calgary group knows the virtues of LEDs
Teen vampires take bite out of silver screen
Artists share passions at Market Collective
Vancouver group shows that metal isn't that scary after all
Something for everyone
Online Only: Sage theatre's latest features fast-paced comedy
Online Only: The Perms bring their music across the nation
Online Only: All the drama and dance to take you into the new year
Spun: Mavis Staples
Spun: White Lies
Spun: Missy Higgins
Spun: Bring Me The Horizon




  Spun: Bring Me The Horizon
Suicide Season

Spun



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Suicide Season (Click for larger image.) Suicide Season

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Bring Me The Horizon has all the pieces necessary to put out a solid album. They demonstrate their technical proficiency on pretty much every track on their latest, Suicide Season, and it's definitely not a lack of musicianship that brings the album down. Though they also show moments of songwriting promise, demonstrating a penchant for writing solid metalcore riffs, they then proceed to beat the listener over the head with those riffs for up to five minutes at a time.

The problem with Season is that the band feel like they have to write lengthy songs instead of just being concise and end up trying to stretch a little bit of good material far too thin. "Football Season is Over," the album's bright spot, clocks in at 1:56, proving that the band would be pretty good if they took a cue from Minor Threat and kept their songs to short bursts of aggression, instead of misguided angry ramblings. Vocalist Oliver Sykes draws favourable comparisons to Comeback Kid's Andrew Neufeld, but one can't help but think that when he screams, "I know something you don't know!" at the end of "Chelsea Smile," he's probably right. Only the band knows why they felt the need to stretch what could have been a good 15-minute EP into 42 minutes of repetitive mediocrity.

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