The University of Calgary Gauntlet®
  2009-09-24
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Rejecting dialogue
I'm really happy for ya, and I'm gonna letcha finish...
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Toronto Film Fest coverage misses the mark

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Entertainment
Calgary International Film Festival turns ten
Toronto filmmaker has No Heart Feelings
Doc focuses on Canada's beautiful natural parks
CIFF: Year of the Carnivore
CIFF: Be Good
CIFF: Unmistaken Child
Fine arts dance show asks a big question
U of C music series teaches kids what this jazz thing is all about
Grab a beer with the Trailer Park Boys
Nick Cave's second novel a fractured tale
30 hours of non-stop sleep-deprived fun
Exploring Albertan identity




  CIFF: Year of the Carnivore


CIFF



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CIFF
ENTERTAINMENTCIFF: Unmistaken Child
ENTERTAINMENTCIFF: Be Good
ENTERTAINMENTDoc focuses on Canada's beautiful natural parks
ENTERTAINMENTToronto filmmaker has No Heart Feelings
ENTERTAINMENTCalgary International Film Festival turns ten

(The Globe, Wed., Sept. 30 at 7 p.m.)

The first feature length film from director Sook-Yin Lee, (Shortbus, CBC radio's Definitely Not the Opera) Year of the Carnivore is a romp into the underbelly of love. The story deals unashamedly with sex and the institutionalization of love. It's a formulaic romantic comedy -- but with a few quirks -- hitting the major signposts on its way to a sweet but predictable ending. The story does deviate from the traditional ideas of love and romance, offering a bit of an offbeat look at how people interact with each other.

The film follows Sammy (Cristin Miliott), a young woman unsure of herself in the modern world and her would-be boyfriend, a scruffy hipster musician named Eugene (Marle Rendall). Quite quickly it is realized that these two seemingly quaint and bohemian characters have some pretty serious demons to battle. After a failed one night stand, Sammy determines that she needs more sexual experience. Not love though, but rather gratuitous, self-indulgent sex. The film moves through her various stages of self-discovery, all the time questioning our modern interpretation of love. Is love possible? Is love necessary?

Maybe not the best movie for a first date, this decidedly unromantic love story brings to light some aspects of romance that we'd rather not think about. Lackluster marriages, deaths, the burden of new life and everything in between are used to explain how love is a hindrance to our lives.

While the dialogue itself is not laugh-out-loud hilarious, it makes light of the quirks of human nature. We are a strange species and this is one film that embraces the madness.

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