The University of Calgary Gauntlet®
  2009-12-03
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Education needs to fight for its freedom
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Marginalized caught in a cycle
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Editorial: A note from the departed
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Science? We don't need no stinkin' science!
Dear Hollywood, reality is not shaky
Letter: intramural violence
The Swiss aren't neutral anymore
Exploring the many facets of porn
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Taking a mid-season look at all the Dinos
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The New Black and the all-ages venue crunch
Twilight parody is a sparkling book of utmost quality
Decade in Review: Film
Decade in Review: Music
Gift cards suck: the Gauntlet gift guide
Spun: Norah Jones
Spun: Michael Buble
Spun: The Heavy
Spun: Bryan Lee

Features
The use of complementary and alternative medicine is an increasingly popular, but dangerous trend



  Spun: The Heavy


Spun



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The House That Dirt Built (Click for larger image.) The House That Dirt Built

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English indie rock band The Heavy return with The House That Dirt Built, their second album in two years. Having garnered some attention from their first release on both sides of the Atlantic, this follow-up further justifies their reputation with violent race car derby rock, soul stomps and a myriad of other influences.

This is manly, swaggering music made by a competent-as-hell band. The melody on "Sixteen" borrows directly from "I Put a Spell On You" by Screamin' Jay Hawkins and makes it all their own, with a driving, animal force. "Cause for Alarm" diverges furthest from the album's sound, with female choruses, a harmonium and reggae backdrop. But, much like the rest of the album, it just works. After the powerhouse of music preceding it, album closer "Stuck" eases peacefully into a string-driven ballad of relationship blues.

Each song has its own identity, tastefully employing horns and interesting percussion in ways that don't distract from the music itself. Kevin Swaby's high, Prince-like voice croons, barks, serenades and shouts. The House That Dirt Built is the most down-and-dirty sophomore release since the Black Keys' Thickfreakness, and is damn near as good.

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